Opis

• Tytuł:
  “Nothing good”? A few notes on prose attempts by Zdzisław Beksiński
• Twórca:
  Chomiszczak, Tomasz
• Opis:
  The article concerns with still not well-known part of the artistic work of Zdzisław Beksiński (a famous photographer, painter and graphic designer). In the 1960s the artist was occupied with literature as well. He wrote short prose which reflected many modern literary fashions and trends, and even anticipated some of them. In his literary works Beksiński was especially influenced by the suggestive aesthetics of the onirism, geometric architecture, and anti-Utopian novels. Sometimes, his narration refers to modern pop culture: the technique of film or the convention of comic strips; what is more, he applies the style of commercials and propaganda slogans. The artist from Sanok  also adored writing different variations of the same story which let him play with various genres and plots. But, whatever he did, it was all about the construction, the form. His literary texts record their narrator’s consciousness in a minimalist way, without any traditional literary frills. Therefore Beksiński unconsciously realized the idea postulated at the same time by Cortazar: each prose work should not be a “sum”, but rather a kind of “difference”. This prose substantially complements our knowledge of the whole art of Beksiński, a natural genius, and remains another alternative part of his creative activities.;
  The article concerns with still not well-known part of the artistic work of Zdzisław Beksiński (a famous photographer, painter and graphic designer). In the 1960s the artist was occupied with literature as well. He wrote short prose which reflected many modern literary fashions and trends, and even anticipated some of them. In his literary works Beksiński was especially influenced by the suggestive aesthetics of the onirism, geometric architecture, and anti-Utopian novels. Sometimes, his narration refers to modern pop culture: the technique of film or the convention of comic strips; what is more, he applies the style of commercials and propaganda slogans. The artist from Sanok  also adored writing different variations of the same story which let him play with various genres and plots. But, whatever he did, it was all about the construction, the form. His literary texts record their narrator’s consciousness in a minimalist way, without any traditional literary frills. Therefore Beksiński unconsciously realized the idea postulated at the same time by Cortazar: each prose work should not be a “sum”, but rather a kind of “difference”. This prose substantially complements our knowledge of the whole art of Beksiński, a natural genius, and remains another alternative part of his creative activities.
• Dostępność obiektu:
  Dostęp otwarty
• Data:
  2017.02.19
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  recenzja
• Język:
  polski;
  pol
• Źródło:
  Poznań Polish Studies. Literary Series; No. 28 (2016): Kalejdoskop fantastyki; 273-280;
  Poznańskie Studia Polonistyczne. Seria Literacka; Nr 28 (2016): Kalejdoskop fantastyki; 273-280;
  2450-4947;
  1233-8680
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pspsl/article/view/7065/7063
• Temat i słowa kluczowe:
  onirism;
  cinema;
  architecture;
  thriller;
  anti-Utopia;
  form
• Identyfikator: http://pressto.amu.edu.pl/index.php/pspsl/article/view/7065
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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