Opis

• Tytuł:
  Dramatyczne konstruowanie twarzy w wybranych utworach Tadeusza Różewicza
• Twórca:
  Woźniak, Ewelina
• Opis:
  The purpose of this article is to present Tadeusz Różewicz as a poetic portraitist. Faces very often appear in the poet’s works and they play a special role there. The methods that are used to construct them can be grouped into four main categories: 1) a face as a performing subject, 2) a face as an object, 3) a face as a static construct, and finally 4) a face as an element, or metonymy, of human existence and entanglement with reality. In Różewicz’s poetry the human face is material and a mirror, but also a universal symbol of the human condition. These faces are usually distorted, decaying, and blurred. They symbolize the disintegration of the world in which human beings have to live. For Różewicz a face is the most condensed image of humanity and an equivalent of a substance in which every external stimulus leaves its mark. The way of using faces as a material and the process of disintegration that is described in detail constitute a dramatic and performative action which implements the objectives of fluid aesthetics, thus showing the moments of transition from meaning to nothingness and the process of erasing meaning.
• Dostępność obiektu:
  Dostęp otwarty
• Data:
  2014.01.01
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy
• Język:
  polski
• Źródło:
  Przestrzenie Teorii; No. 21 (2014); 145-165;
  Przestrzenie Teorii; Nr 21 (2014); 145-165;
  2450-5765;
  1644-6763
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pt/article/view/3310/3324
• Temat i słowa kluczowe:
  Tadeusz Różewicz;
  twarz;
  portret;
  performatywność;
  dramatyczność
• Identyfikator: http://pressto.amu.edu.pl/index.php/pt/article/view/3310
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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