Opis

• Tytuł:
  Filmmaking as Cultural Aggression
• Twórca:
  Shevchuk, Yuri
• Opis:
  The article discusses cinematic depopulation, the strategy of appropriation of the colonized by the colonizer widely used in the Soviet and post-Soviet cinema made in Ukraine and Russia and, until now, never analyzed in academic literature. The cinematic depopulation is a mode of filmic representation whereby a given ethnoscape (Ukraine) is cleansed of its national community (Ukrainians) and instead is populated by the colonizer (Russians) as if it were an integral part of his historical territory. As a form of cultural imperialism, this strategy has, until quite recently, been widely used in both Soviet and post-Soviet Russian and Ukrainian filmmaking to promote the idea of Ukraine conceivable outside of and without the Ukrainian language, culture, and other attributes of Ukrainian identity.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2023 Yuri Shevchuk;
  https://creativecommons.org/licenses/by/4.0/deed.pl
• Data:
  2023.10.20
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  angielski
• Źródło:
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 34 No. 43 (2023): The Special Issue: Ukraine in Flames; 29-48;
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 34 Nr 43 (2023): The Special Issue: Ukraine in Flames; 29-48;
  2720-040X;
  1731-450X
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/i/article/view/39823/33617
• Temat i słowa kluczowe:
  cinematic depopulation;
  cultural imperialism;
  hybrid war;
  Ukrainian film;
  Russian film
• Identyfikator: http://pressto.amu.edu.pl/index.php/i/article/view/39823
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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