Opis

• Tytuł:
  From a Character to a Voice. On the Increasingly Libretto-Like Character of Contemporary Drama
• Twórca:
  Karasińska, Marta
• Opis:
  The analyses presented in the article reverse the traditional course of studies which assume that the poetics of a dramatic text is instrumentally superior to that of the libretto. In order to adapt the hypothesis that contemporary drama is increasingly libretto-like, inserted into its structure is, excerpted by opera theatre researchers, the libretto poetics treated as a genealogical directive specific to the genre which differentiates it from the “third kind” in its classical expressions. The breakup of the basic categories constituting a drama ( character, dialogue and plot ) brings it visibly closer to the traditional operatic libretto with features characterised by Albert Gier, among others. The post-dramatic aesthetics adapted by contemporary opera and drama, which removes the character or reduces it to a voice treated merely as a medium, absolutising the way a word sounds and the poetics of a transsystemic remix all result in the emergence of a common aesthetics of the stage chimaera genre.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2022 Marta Karasińska;
  http://creativecommons.org/licenses/by-nd/4.0
• Data:
  2022.10.26
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  polski;
  pol
• Źródło:
  Poznań Polish Studies. Literary Series; No. 42 (2022): Postać w operze; 77-96;
  Poznańskie Studia Polonistyczne. Seria Literacka; Nr 42 (2022): Postać w operze; 77-96;
  2450-4947;
  1233-8680
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pspsl/article/view/35695/30792
• Temat i słowa kluczowe:
  libretto;
  drama;
  character;
  dialogue;
  plot;
  new music
• Identyfikator: http://pressto.amu.edu.pl/index.php/pspsl/article/view/35695
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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