Opis

• Tytuł:
  Photogenic qualities of aquatic landscapes in the works of Roman Polański
• Twórca:
  Kita, Barbara
• Opis:
  In his debut feature film, Knife in the Water (1961), and then in the subsequent films Cul-de-sac (1966), Pirates (1986), Frantic (1988), Bitter Moon (1992), Death and the Maiden (1994), and The Ghost Writer (2010), Roman Polański uses the element of water in a significant way. It is particularly interesting when water is visible and constitutes a crucial element of the films’ narrative—woven from water images and aquatic landscapes. So, how do aquatic landscapes function in Polański’s films? I believe that he develops his individual film style in which the element of water—its being filmed—both emphasizes the protagonists’ motivation, often conditions it, and is also a very important detail which shapes images and, therefore, affects the aesthetics of those images. Does a specific kind of aesthetics created by aquatic landscapes—which are characterized by a particular form of photogeneity—exist? Polański certainly does not use common visual clichés. The beauty of his aquatic landscapes is of a different type. They are interesting, original, non-intrusive, yet noticeable—even if they do not dominate the whole image. The text follows the director’s visual strategies which prove the photogenic potential of his films. I argue that this photogeneity—stemming from, inter alia, aquatic landscapes—determines the attractiveness of Polański’s films.
• Dostępność obiektu:
  Dostęp otwarty
• Data:
  2020.10.09
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  angielski;
  eng
• Źródło:
  Polish Journal of Landscape Studies; Vol. 3 No. 6 (2020): Memory and Representation; 109-120;
  Polish Journal of Landscape Studies; Tom 3 Nr 6 (2020): English; 109-120;
  2657-327X
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pls/article/view/24757/22809
• Temat i słowa kluczowe:
  aquatic landscapes;
  film;
  Roman Polański;
  photogeneity
• Identyfikator: http://pressto.amu.edu.pl/index.php/pls/article/view/24757
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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