Opis

• Tytuł:
  Becoming into being
• Twórca:
  Noica, Constantin
• Opis:
  Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.;
  Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.Przełożył Andrzej Zawadzki.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2019 Constantin Noica
• Data:
  2019.01.31
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  przekład
• Język:
  polski;
  pol
• Źródło:
  Przestrzenie Teorii; No. 29 (2018); 331–334;
  Przestrzenie Teorii; Nr 29 (2018); 331–334;
  2450-5765;
  1644-6763
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pt/article/view/17698/17408
• Temat i słowa kluczowe:
  Constantin Noica;
  Constantin Brâncuşi;
  ontology;
  philosphy of art;
  sculpture;
  Romanian culture;
  becoming into being
• Identyfikator: http://pressto.amu.edu.pl/index.php/pt/article/view/17698
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
• Czy mogę z tego obiektu skorzystać?:
  poproś o pozwolenie
• Rodzaj zawartości:
  teksty