Description

• Title:
  Ontoestetyka dźwięku i kultura słuchania. Dyskurs metateoretyczny sound studies
• Creator:
  Lniak, Agnieszka
• Contributor:
  Śniecikowska, Beata;
  Sygizman, Kinga;
  Instytut Literaturoznawstwa, Uniwersytet Śląski w Katowicach
• Description:
  The article presents a critical approach to the sound studies debate, concerning its metatheoretical aspects. The point of departure is a paper by Brian Kane that opens the first issue of “Sound Studies: An Interdisciplinary Journal”. Kane criticizes the ontoaesthetic perspective within the discipline. My aim is to introduce sound studies both as an interdisciplinary and transdisciplinary field of humanities, dominated by two — instead of one referred by Kane — research strategies: audio-antropological and onto-aesthetical. By focusing on the latter, where the works by Christoph Cox and Salomé Voegelin are situated, I want to propose a different, affective-materialistic approach to sound studies, based not on the opposition between signification and sound/vibration, but on the relationship between the Deleuzoguattarian machinic concepts and the musical avant-garde. Referring to excerpts from articles and manifestos by Luigi Russolo, Edgar Varèse, Pierre Schaeffer and Pauline Oliveros, I show that the machinic sound imagination once accompanied the historical avantgarde and neo-avant-garde movements. It is the key to break with the anti-post-structural approach in sound studies in favor of a more relational perspective. This perspective, within the onesthetic paradigm, would allow for the interpretation of sound machinery as elements of the machine system (aesthetic, social, cultural) in which sound operates.
• Object availability:
  free access
• Rights:
  Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe;
  http://creativecommons.org/licenses/by-nc-nd/4.0
• Date:
  2022.09.15;
  2020
• Type:
  Article
• Language:
  Polish;
  pol
• Format:
  application/pdf
• Publisher:
  Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego
• Relation:
  Zagadnienia Rodzajów Literackich;4;
  63
• Subject:
  sound studies;
  onto-aesthetics;
  auditory culture;
  sound culture studies;
  sound machineries
• Identifier:
  0084-4446;
  http://hdl.handle.net/11089/43210 ;
  2451-0335;
  10.26485/ZRL/2020/63.4/2
• Data provider:
  Repozytorium Uniwersytetu Łódzkiego
• Can I use it?:
  seek permission
• Type:
  image