Description

• Title:
  Phenomenon of fourth dimension in the work of Jerzy Kucia
• Creator:
  Grodź, Iwona
• Description:
  The article is an attempt to look at all the achievements of the Polish filmmaker – Jerzy Kucia – through the prism of his last work, Strojenie instrumentów/Tuning the Instruments (2000). The author points out that all the director’s previous projects, starting with the debut of 1972 Powrót/Return until Refleksy/Reflections from 1979 through Przez pole/By the field from 1992, showed a very clear development of the creative personality of the artist, who claimed that the “close up” on their own topics is the result of heightened self-awareness and is a great effort to promote himself again and again. In the analysis of the film Strojenie instrumentów/Tuning the Instruments, the author refreshes old and new contexts of interpretation, coupled with the commitment issue, which is a metaphorical return to the past. A question about the essence of the functioning of consciousness leads the author to delve into the phenomenological concept that we find in contemporary theories of psychology of perception.
• Object availability:
  free access
• Date:
  2011.01.01
• Type:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy
• Language:
  Polish;
  pol
• Source:
  Przestrzenie Teorii; No. 15 (2011); 243-256;
  Przestrzenie Teorii; Nr 15 (2011); 243-256;
  2450-5765;
  1644-6763
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: http://pressto.amu.edu.pl/index.php/pt/article/view/3336/3350
• Subject:
  J. Kucia;
  film polski;
  rozwój osobowości;
  artystyczna świadomość siebie
• Identifier: http://pressto.amu.edu.pl/index.php/pt/article/view/3336
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
• Can I use it?:
  seek permission
• Type:
  other