Description

• Title:
  Painted ceramics from the early iron age vs. modern white ceramics. Reflections on magic and “disenchanting the world” 
• Creator:
  Markiewicz, Małgorzata
• Description:
  The article contrasts two chronologically distinct groups of artifacts: painted ceramics from the Hallstatt period and the so-called white ceramics, produced until the end of modernity. They are related by means of the technique of covering a bright surface with colorful patterns and the stylistic similarity of certain geometric motifs. However, the ideas behind creating these pictorial representations were completely different. In the article, painted vessels from the Hallstatt period and modernity will be the starting point for detailed studies on magical and rational thinking about the world. It was in the Renaissance that, according to the concept of the sociologist and philosopher Max Weber (1864‒1920), a “disenchantment of the world”, took place ‒ e.g. the departure from the magical understanding of reality. Early Iron Age and Modernity ceramics will illustrate this process.
• Object availability:
  free access
• Rights:
  Prawa autorskie (c) 2022 Małgorzata Markiewicz;
  https://creativecommons.org/licenses/by/4.0
• Date:
  2022.12.29
• Type:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy
• Language:
  Polish;
  pol
• Source:
  Folia Praehistorica Posnaniensia; Tom 27 (2022); 103-130;
  2450-5846;
  0239-8524
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: http://pressto.amu.edu.pl/index.php/fpp/article/view/36652/31353
• Subject:
  painted pottery;
  white ceramics;
  Hallstatt period;
  modern period;
  magical thinking;
  magic;
  ritual
• Identifier: http://pressto.amu.edu.pl/index.php/fpp/article/view/36652
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
• Can I use it?:
  seek permission
• Type:
  other