Description

• Title:
  Par-eikon: the case of the Last Supper
• Creator:
  Zarychta, Anna
• Description:
  The text is an attempt to analyze the evolution of aesthetic forms and motifs discussed on the example of the so-called “great figure” The Last Supper – the starting point for the analysis of the motif is the photography of David La Chapelle of the series: Jesus is my homeboy. Significant here is the context theory of parody by Linda Hutcheon – understood as a central point overview of contemporary art – a phenomenon combining fidelity to tradition and contemporary ideas of creative freedom, to express, among others, in need of confrontation with the ‘classic’ conventions – encroaching and deconstructive also in our contemporary pop-cultural processes of “image-consumption”.;
  The text is an attempt to analyze the evolution of aesthetic forms and motifs discussed on the example of the so-called “great figure” The Last Supper – the starting point for the analysis of the motif is the photography of David La Chapelle of the series: Jesus is my homeboy. Significant here is the context theory of parody by Linda Hutcheon – understood as a central point overview of contemporary art – a phenomenon combining fidelity to tradition and contemporary ideas of creative freedom, to express, among others, in need of confrontation with the ‘classic’ conventions – encroaching and deconstructive also in our contemporary pop-cultural processes of “image-consumption”. 
• Object availability:
  free access
• Date:
  2014.01.13
• Type:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Peer-reviewed Article;
  Artykuł naukowy
• Language:
  Polish
• Source:
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 14 No. 23 (2014): Parody, Parodies; 93-110;
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 14 Nr 23 (2014): Parody, Parodies; 93-110;
  2720-040X;
  1731-450X
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: http://pressto.amu.edu.pl/index.php/i/article/view/911/857
• Subject:
  Eikon;
  parody;
  irony;
  picture analysis;
  transtextuality;
  the evolution of aesthetic forms;
  visual metaphors;
  stimulus equivalence;
  difference and repetition;
  pop-culture;
  The Last Supper;
  David La Chapelle;
  Leonardo da Vinci;
  Jacopo Bassano;
  El
• Identifier: http://pressto.amu.edu.pl/index.php/i/article/view/911
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
• Can I use it?:
  seek permission
• Type:
  text