Opis

• Tytuł:
  Sound quality as a coherence-creating factor in a video game series (the example of the Assassin’s Creed series)
• Twórca:
  Bajew, Mikołaj
• Opis:
  In the article, the author raises the question of creating coherence in video game series by means of sound. In order to do this, he conducted research on four groups of SFXs (Sound Effects) extracted from the first seven games of the Assassin’s Creed series. It covered those SFXs that accompany the series’ signature gameplay moments. Sound samples recorded during gameplay were then analysed in the programme Reaper using Steinberg’s standard VST3 analysis tools. The research findings are compiled and presented in the form of a table. The author adopted the understanding of coherence outlined by Stanislav Gajda, and the concept refers to the mathematical formulation of the term.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2023 Mikołaj Bajew;
  https://creativecommons.org/licenses/by/4.0/deed.pl
• Data:
  2023.07.03
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  polski
• Źródło:
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 33 No. 42 (2023): The Special Issue: Rules of games; 327-347;
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 33 Nr 42 (2023): The Special Issue: Rules of games; 327-347;
  2720-040X;
  1731-450X
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/i/article/view/38619/32899
• Temat i słowa kluczowe:
  computer game;
  soundness;
  multimodality;
  cohesion;
  Assassin’s Creed
• Identyfikator: http://pressto.amu.edu.pl/index.php/i/article/view/38619
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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