Opis

• Tytuł:
  The touch of a piano. Selected issues of phenomenology of performance and perception of a musical work
• Twórca:
  Chęćka, Anna
• Opis:
  The main purpose of the article is to reflect on performer’s aesthetic concretization of a musical work. The virtuoso’s concretization blurs the boundaries of the subject and the object of experience: the musician becomes a screen for music, embodies it. The artist’s perception is sharpened, which is shown in the article based on the experience of a pianist performing Claude Debussy’s music. Especially important – apart from hearing – is the sense of touch in this experience. The analysis of the experience of the perceptive performer presented here is in a significant way inspired by the pedagogical practice of the French pianist, Alfred Cortot – his statements, recordings and testimonies of his pupils. On the theoretical side, it is founded on the phenomenology of Maurice Merleau-Ponty and Michel Henry, and indirectly also refers to the comments of Roman Ingarden about aesthetic concretization.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2018 Anna Chęćka
• Data:
  2018.12.15
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  polski
• Źródło:
  Res Facta Nova. Teksty o muzyce współczesnej; No. 19 (28) (2018); 75-83;
  Res Facta Nova. Teksty o muzyce współczesnej; Nr 19 (28) (2018); 75-83;
  2544-9303;
  1897-824X
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/rfn/article/view/30761/27166
• Temat i słowa kluczowe:
  hearing;
  touch;
  perception;
  concretization;
  piano
• Identyfikator: http://pressto.amu.edu.pl/index.php/rfn/article/view/30761
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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