Object's details: A part instead of a whole or a way for censors. "Primary School" by Tomasz Zygadlo - a model movie of the "new change" cinema

Provider:Platforma Otwartych Czasopism Naukowych UAM

Description

Title:
A part instead of a whole or a way for censors. "Primary School" by Tomasz Zygadlo - a model movie of the "new change" cinema
Creator:
Jazdon, Mikołaj
Description:
Mikołaj Jazdon in his article presents an analysis and interpretation of a documentary that became a “trademark” of the young generation’s cinema from the decade of the Cinema of Moral Anxiety in Poland. Zygadło filmed the social behaviour of students in a Warsaw primary school to depict the fatal influence of the communist system on Polish youth, who were encouraged to tattle on each other. The method of portraying a social group from one place, as in Zygadłos Primary School, became popular among other documentary filmmakers from his generation. They began to shoot films about institutions like factories, schools or hospitals, focusing on the social relations between the people working there. These films were intentionally made as metaphors of Poland in the 1970s and of the rules operating in a country ruled by the Communist Party. The auteur strategy of depicting reality in a “pars pro toto” manner allowed documentary filmmakers to outwit the Party censors.;
Mikołaj Jazdon in his article presents an analysis and interpretation of a documentary that became a “trademark” of the young generation’s cinema from the decade of the Cinema of Moral Anxiety in Poland. Zygadło filmed the social behaviour of students in a Warsaw primary school to depict the fatal influence of the communist system on Polish youth, who were encouraged to tattle on each other. The method of portraying a social group from one place, as in Zygadłos Primary School, became popular among other documentary filmmakers from his generation. They began to shoot films about institutions like factories, schools or hospitals, focusing on the social relations between the people working there. These films were intentionally made as metaphors of Poland in the 1970s and of the rules operating in a country ruled by the Communist Party. The auteur strategy of depicting reality in a “pars pro toto” manner allowed documentary filmmakers to outwit the Party censors.
Object availability:
free access
Date:
2014.06.13
Type:
info:eu-repo/semantics/article;
info:eu-repo/semantics/publishedVersion;
Artykuł naukowy;
recenzja;
wywiad
Language:
Polish
Source:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 15 No. 24 (2014): 21st-century Documentary Film in East and Central Europe; 281-286;
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 15 Nr 24 (2014): 21st-century Documentary Film in East and Central Europe; 281-286;
2720-040X;
1731-450X
Format:
application/pdf
Publisher:
Adam Mickiewicz University Poznan
Relation: http://pressto.amu.edu.pl/index.php/i/article/view/1340/1276
Subject:
Tomasz Zygadło;
Primary School;
Cinema of Moral Anxiety;
synecdoche
Identifier: http://pressto.amu.edu.pl/index.php/i/article/view/1340
Data provider:
Platforma Otwartych Czasopism Naukowych UAM

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